Zuzana Slancikova Slancikova من عند بوليستي، رومانيا من عند بوليستي، رومانيا

سلسلة رائعة!

أطفال ميثوسيلا بقلم روبرت أ. هينلين (1986)

ما تعلمته من هذا الكتاب هو أنه يجب عليك دائمًا محاولة منح الناس فرصة وعدم الحكم على كتاب من غلافه. أعتقد أن yuleisy ترغب في قراءة هذا الكتاب ، إذا لم تقرأه بالفعل.

لحاف إبداعية: الإلهام ، والملمس والغرزة من Sandra Meech (2006)

كانت هذه قراءة جيدة.

So I love Adrian Tomine. I am a total sucker for his artwork, it's so crisp and clean, and almost painfully personal. Anyway, I love his art and I love his dialogue, but I really get tired of the "I'm so alone. i am so alienated. No one understands me. I was picked on in high school, the world hates me" thing (ugh get OVER it. so you wore flannel and had bad hair! i DON'T feel bad for you) so I'd go with this book over the slightly more pretentious Summer Blonde. If anything, do it for the pretty pictures. Really.

I've read a few books in the zombie genre and while they are a big part of the book, it was more of a post-apocalyptic book for me. I like the core of idea of being held back by the constraints of the society that Mary is a part of and her need to find out what exists beyond the sheltered existence she has led. I think there are lots of aspects of Mary's society that are very interesting and it really drives home the idea of how quickly history can be lost or molded to protect or control, especially a small society cut off from any other human contact. The thing I found a bit frustrating was the lack of detail provided in the story. I kept trying to visualize things, but could only come up with a hazy sketch. (What are they wearing, what type of technology is still left, what do their houses look like, how big is the village and how many people live there, what is the climate like, how do they make and distribute what they need to survive.) I also found some of the jumps in action very disorienting - at times I couldn't quite piece together how character got places or who was even there. (*spoiler* the best example of this is when they are on the path outside the village deciding whether to go into the unknown or try to go back into the village and suddenly Jed and Beth are there out of the blue.) While I understand Mary doesn't have our frame of reference, I felt like there could have been a richer detail in explaining these things that would help us feel the constrictions of her life better and her yearning for learning what might exist beyond the small patch of humanity she lives within. I am interested to see where the next book leads and learn more about this world.